Learning a traditional art form can often begin with hesitation—especially when the techniques seem complex and unfamiliar. Spoorthi walked into the studio with exactly that feeling. What followed, however, was a journey of confidence, discovery, and deeper artistic understanding.
From Inhibition to Ease
Spoorthi shares that before starting, she carried an inhibition that learning Gaja Lakshmi painting would be very difficult. Like many students approaching classical styles for the first time, the intricacy of the process felt intimidating.
“It came with an inhibition that it would be very difficult for me to learn.”
But the studio experience quickly changed that perception.
“Because of everybody in the studio, they helped us learn each and every technique with so much ease.”
With guided instruction and a supportive studio environment, every step of the process became approachable—transforming what once felt overwhelming into an enjoyable learning experience.
Exploring the Techniques That Make the Art
One of the highlights of Spoorthi’s journey was understanding the foundation of traditional painting techniques. She especially enjoyed learning:
-
How to prepare gesso
-
The delicate process of applying gold foil
-
The final stages of the painting, including adding jewellery details
These elements not only brought the Gaja Lakshmi painting to life but also deepened her appreciation for the craftsmanship behind classical art.
“I really liked understanding how to make the gesso, the gold foil, and of course the last end of painting and adding the jewellery.”
Seeing Colour Beyond the Canvas
Beyond technique, the course opened Spoorthi’s eyes to a more nuanced understanding of colour. Through the painting process, she began noticing how colours appear and interact in everyday life—an insight that stays with artists long after the learning ends.
“It got me a lot more in-depth in understanding how colours are seen in different day-to-day aspects.”
A Recommendation from the Heart
Spoorthi’s journey is a reminder that traditional art is not about perfection—it’s about process, patience, and guidance. Her experience at the studio left her confident enough to recommend the learning experience to others who wish to explore classical painting styles.
“I would definitely recommend it for anybody who would want to learn Tanjore painting.”
